Introductory viewing: establishing mise en scene
- your task: as we watch, you MUST choose 3 scenes. I don't care which
scenes you choose, except that I want a variety, and I want them to be scenes
you react with - you love them, you hate them, you think they REALLY move
the movie forward. Pick one from early on, pick one from the middle, and
pick a last one from the last bit of the film.
- as you watch, identify the elements of mise en scene in the scenes. Take
CLOSE notes, as you'll be sharing these in a discussion format on Monday. Use
our vocabulary as your baseline, and identify them. How do these elements
build to a "good" scene, or how do they build to a bad one?
A note: pay attention to the cinematography, using the reading for today as
your guide - we will be using this as a basis for discussion on Monday!
HW: 59-79 (camera position/camera movement)
- also, as you read: there is an activity on pg. 70 - on a blank sheet of
paper, construct a grid like what you see there and fill in the blanks to the
best of your ability! This activity will ask you to identify the TYPES of shots
needed for the scenes described, as well as your reasoning as to WHY that
shot is best.
A note on the reading: this stuff is big! it's fascinating, but it's big! take it
slow, take notes as you read, and remember: this is probably the most I'll
ever make you read in a session.
ALSO, DON'T FORGET:
Syllabus forms and plagiarism forms are due on MONDAY. Each
document is worth 10 points, and you have to give one to me whether
you've given me one for another class or not.
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